This feature-length documentary about the making of "The Social Network" goes back and forth from the elements of storytelling and long rehearsals with the cast and crew, to the shooting itself capturing the extreme attention to detail, filming locations such as Boston and LA, and David Fincher's filmmaking process.

Disowned at birth by his obscenely wealthy family, blue-collar Becket Redfellow will stop at nothing to reclaim his inheritance, no matter how many relatives stand in his way.

A robot alien. Angst-ridden teens. Cleavage-wielding soul takers. A dark overlord. A cross-dressing idiot. A pregnant 14-year-old cougar. Macho scientists. Santa Claus. Yeah, this movie has it all.

Bestselling New York novelist Henry Jenkins (Richard Burgi) is not a man of many words. He drinks his tea and enjoys his toast, and walks no more than four blocks to seventh street to Lizzy's coffee shop, where he sits three seats away from the door. Henry has finished the final draft in his penultimate novel in the "Blood Asp" series, which have won him multiple awards over the years. Lizzy Garland (Heather Snell), on the other hand, is a woman of many words. She keeps her customers coming back with her warm spirit and inviting conversation. Henry stays for the tea, and because it takes his mind off certain things.... But he has a plan, and a machine, which if things go well, he will get them back, and will remember how they smiled...

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

蜜雪兒的四位閨蜜們到山中小屋來找她，許久不見的她們無酒不歡。夜晚降臨，蜜雪兒準備了一個神祕的遊戲：碟仙。沒想到此舉竟引來從前在小屋被燒死的怨靈，姊妹們一個個被附身後開始自相殘殺，剩下的人該怎麼從這裡逃脫呢？

A guy and a girl play copycat with each other from opposite sides of the street, that is, until a slightly abrupt & uncopyable event occurs.